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“It’s a flabby, loose-willed world we have to face. “When can we be alone together?” She asked him, never loosening her grip. Wood, I forget nothing. “Nor am I now,” he answered. “It’s like this,” he said, and dragged a stool beside her and sat down with his elbow four inches from hers and made a sketch. “Larry buys the meat, makes the stuffing. ‘While you are making me this interrogation, my poor Jacques bleeds to death. Let me see now. Yet either the rest or the wine seemed already to have done him good. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.

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