When my father died, and we were left alone in Jersey, I was quite a long time deciding whether I would go in for singing professionally or try painting. The whole place and everything in it aimed at one thing—to illustrate, to elaborate, to criticise and illuminate, and make ever plainer and plainer the significance of animal and vegetable structure. A white man, wandering about the streets of Canton at night, was a challenge to such a catastrophe.
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