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The crowning aspect of the incident, for her mind, was the discovery that he and her indiscretion with him no longer mattered very much. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “They wanted me to identify some one whom I had certainly never seen before in my life, and to tell you the truth, they were positively rude to me because I could not.
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